A Dying Art: The Last of the Morticians
28th July 2026
Time,” said Anthony Saldivar, his eyeglasses slipping down his broad nose, “is always the biggest enemy.” Sporting a black tie and thick suspenders, his shirtsleeves cuffed at the elbows, Saldivar was one of eight contestants stationed across four folding tables inside a cavernous glass-and-steel convention center in Chicago, all of whom were attending to the same ticking-clock task. They had three hours, split over two afternoons, to rehabilitate a decomposing human head. The heads, of course, weren’t real. They were props furnished by funerary-cosmetics supplier Post Mortem Restorative Cosmetics, a company founded by the Hollywood special-effects technician Dean Jones, who parlayed techniques honed on the sets of Blue Velvet and Star Trek: Deep Space Nine into a career in the mortuary sciences.