Saving ‘The Thread of History’
31st May 2026
In a small workshop in northern France, in Montreuil-aux-Lions, a very special kind of thread has been woven for seven generations: the silk threads of Maison Declercq, master trimmers, whose creations enable the restoration of some of the finest fabrics and pieces of furniture in the world.
Their story touches me particularly deeply, as I grew up between Saint-Étienne, the capital of ribbon and trimmings, and Lyon, the capital of silk, where the most prestigious historic silk houses, such as Prelle or Tassinari et Châtel, still thrive today. Even as a child, I never tired of admiring the incredible wooden looms invented by the craftsmen of my homeland, impressive cathedrals of thread that gave birth to a thousand-and-one wonders in shimmering colours. Tassels, rosettes, ribbons, tiebacks: all these seemingly useless trinkets, yet they once elegantly adorned a delicate bergère chair where Queen Marie-Antoinette used to rest, or a sumptuous curtain drawn by Empress Eugénie. The Declercq family hails from the North, yet shares the same heritage and the same expertise.
There are artisan Houses that do not merely produce objects but weave “the thread of history.” Houses where every gesture seems to defy the brutality of the centuries, where the craftsman’s hand extends that of his ancestors in a stubborn fidelity to beauty. The Declercq workshop, an artistic trimmings maker since 1852, belongs to that category of French companies that the whole world envies us for.