DYSPEPSIA GENERATION

We have seen the future, and it sucks.

A Martial Artist Looks at Swordfighting in the Movies

16th January 2019

Eric S. Raymond is not happy.

The first thing to know is this: with only rare exceptions, any Western swordfighting you see in older movies is going to be seriously anachronistic. It’s almost all derived from French high-line fencing, which is also the basis for Olympic sport fencing. French high-line is a very late style, not actually fully developed until early 1800s, that is adapted for very light thrusting weapons. These are not at all typical of the swords in use over most of recorded history.

In particular, the real-life inspirations for the Three Musketeers, in the 1620s, didn’t fight anything like their movie versions. They used rapiers – thrusting swords – all right, but their weapons were quite a bit longer and heavier than a 19th-century smallsword. Correspondingly, the tempo of a fight had to be slower, with more pauses as the fighters watched for an opening (a weakness in stance or balance, or a momentary loss of concentration). Normal guard position was lower and covered more of center line, not the point-it-straight-at-you of high line. You find all this out pretty quickly if you actually train with these weapons.

2 Responses to “A Martial Artist Looks at Swordfighting in the Movies”

  1. RealRick Says:

    Regardless of inaccuracy, those old sword fighting scenes with Errol Flynn and Basil Rathbone were incredibly exciting to watch.

  2. Tim of Angle Says:

    Sometimes the old ways are best.