DYSPEPSIA GENERATION

We have seen the future, and it sucks.

May Day!

2nd May 2016

Gates of Vienna is having a fundraiser. Please give generously.

As is often remarked these days, the nations of the West — Europe, Canada, the United States, and Australia — are drifting inexorably into a Soviet-style totalitarianism. Soft totalitarianism, mind you — no gulag necessary just yet — but still Soviet-like in its insistence ideological conformity.

So what artistic style would we associate with the democratic totalitarianism that dominates the post-modern West? What ideology are we obliged to conform to in our visual representations if we, the artists, want to get ahead?

Why, Multiculturalism, of course. What else could it be?

Walk into a post office, or a bank, or a supermarket, or a pharmacy, and all the images you see will display a uniformity of iconography. Images are chosen carefully to include a certain selection of exquisitely represented races and ethnicities. And they’re gender-balanced, too.

Of course.

We have no choice: the future is multicultural.

Such has been decided for us, for our own good, by people who know better than we do. Left to our own devices, we would be racist throwbacks, little Nazis and bigots wearing Ku Klux Klan robes, goose-stepping around the mean streets of our white supremacist dystopia.

But with the help of our cultural betters, we can recover from our atavisms. Through education and diversity training, we can learn to truly celebrate the wonderful inclusive rainbow quilt of cultures!

Then we can buy the world a Coke and live in perfect harmony.

Uh-huh. Yup.

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