Alexander Hamilton: Honorary Nonwhite
3rd February 2016
Steve Sailer goes to the theater.
A simple model that helps make much about the modern world easier to comprehend is that of a high-low tag team against the middle. As part of a time-tested strategy of divide and rule, the rich tend to push for policies and attitudes that increase identity-politics divisiveness—more immigration, more Black Lives Matter rioting, more transgender agitation, and so forth—which makes it harder for the nonrich to team up politically to promote their mutual economic interests.
You could call it: “Diverse and Conquer.”
As I have been saying for years.
A striking example of how identity politics turn in practice into the Zillionaire Liberation Front has emerged in the war over which Dead White Male to kick off the currency to make room for a woman: the $10 bill’s Alexander Hamilton or the $20’s Andrew Jackson. Bizarrely, the reactionary genius Hamilton, apostle of rule by the rich, is rapidly morphing in the conventional wisdom’s imagination into an Honorary Nonwhite.
…
Lin-Manuel Miranda’s hip-hop musical Hamilton had already been a sensation when it debuted Off Broadway months before Lew’s announcement about the ten-spot. And it’s not hard to grasp how the show fits exactly what wealthy white New York liberals want to see: minorities defending Wall Street. It’s the Obama of musicals. (The president, by the way, made time in his schedule to see Hamilton twice last year.)