DYSPEPSIA GENERATION

We have seen the future, and it sucks.

Feminists Demand Quotas for Award Nominations at Cannes Film Festival

26th April 2016

The Other McCain is on the case.

We know that women directors can make box-office hits — Nora Ephron (Sleepless in Seattle, You’ve Got Mail), Amy Heckerling (Fast Times at Ridgemont High, Look Who’s Talking, Clueless) and Penny Marshall (Big, A League of Their Own), for example — but I have no idea what the overall profit picture looks like on female-directed films. However, the feminists complaining about award nominations for women directors at Cannes don’t give a damn about profit, do they? Neither do feminists give a damn about audiences (the people who pay to see movies, and are thus the source of profit) and they don’t give a damn about the actual work that a director must do to deliver the product on time and under budget.

What feminists care about is an idea of “equality” that actually results in favoritism — quotas for women, or else they’ll file a lawsuit or organize a boycott or just protest and complain until somebody gives them what they want. And what do feminists want? More.

This constant demand — “More!” — is characteristic of totalitarianism.

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